Cinema EOS Sessions | Chroma Subsampling
The less colour information you capture, the less you share with your audience. Follow along in this Cinema EOS Session as Josh Allen of the CSC explains what chroma subsampling is and breaks down the difference between 4:4:4, 4:2:2, and 4:2:0.
Lens Strategies for the era of 4K UHD Digital Motion Imaging
4K digital origination is today firmly entrenched in the world of theatrical motion picture production. The Super 35mm image format size had reigned for the many decades of motion picture film production and it became the pivotal format during the transition from film to digital – although it is not the only image format size in use in the new digital motion imaging era.