Article, Video
Go behind the scenes with Jimmy Chin and find out why he chose the EOS C300 Mark II to film his Oscar winning documentary.
Ready for Anything – Canon EOS R5 C Launch Panel and Q&A
Discover the EOS C70 with Canon Cinema specialist, Luc Lamarre
EOS C70 – Welcome to a new age
Cinema EOS Buyer’s Guide – 2020 Edition
Watch “Origins of Japan’s Mythology,” shot in ultra-high-resolution 8K
Dans les coulisses de Free Solo, le documentaire primé aux Oscars de 2019 et filmé à l’aide de la C300 Mark II
Canon’s lineup of popular 4K-ready Cine Prime lenses now in PL-Mount
Behind the scenes of 2019 Oscar winning documentary, Free Solo, shot on C300 Mark II
How to make your own commercial
Six simple rules for shooting memorable wedding videos
The dos and don’ts of selling stock photography online
Five steps for producing engaging event-recap videos
Current trends in corporate video production
How to make a TV ad that gets attention and drives sales
Essential advice for first-time documentary filmmakers
Labour of love: Advice on the hard work of editing a documentary
Listen up! How to record high-quality sound for your indie film
Dollars and sense: How to crowdfund your documentary film
EOS C200 | Colour Rendition
EOS C200 | ISO (Low Light Abilities)
EOS C200 | Dual Pixel Autofocus & Wide Dynamic Range Tested Here
EOS C200 | Wide Dynamic Range & Dual Pixel Autofocus Are Put to Work
EOS C200 | Colour Rendition & Wide Dynamic Range in Action
EOS C200 | Canon’s Award Winning Dual Pixel Autofocus Technology
A place in the sun: How creators do right by natural light
Shoot your shot: 5 ways creators make the most of every frame
Go deep: Six ways to give your filmmaking more depth
Mercedes-Benz x C300 Mark ll | Alen Palander & Adam Madrzyk
Cinema EOS Sessions | High Dynamic Range
The Shadow Side | Behind The Scenes with the EOS C200
The Shadow Side | By Rupert Walker
Around the World with Matt Guthmiller | Shot on the EOS C200
Cinema EOS Sessions | RAW
Cinema EOS Sessions | ACES
From Dock to Dish | Shot on the EOS C200
Cinema EOS Sessions | Low Light, High ISO
Murder, Tsunamis, Vigilantes and Pirates: Four Filmmakers on going to Extremes to Shoot their Passion Projects
Ranking the Top 10 Long Takes in Movie History
How Scorsese shoots with minimal lighting – and how you can, too
Watch Vivid – The Short Film Shot on the NEW Canon EOS C700
Brooklynphono: A Documentary Short – Episode 6: Colour Grading Session with Technicolor Postworks
Brooklynphono: A Documentary Short – Episode 5: Workflow, Grading, & Deliverables with Technicolor
Brooklynphono: A Documentary Short – Episode 4: The Craft of Interview Lighting
Brooklynphono: A Documentary Short – Episode 3: Cam Setup: Resolution, Colour Space, and Proxies
Brooklynphono: A Documentary Short – Episode 2: Assignable Buttons and My Menu Settings
Brooklynphono: A Documentary Short – Episode 1: Camera Build and Setup
Tutorial Series with the EOS C300 Mark II
Trick Shot – Behind the Scenes with the EOS C300 Mark II
Brooklynphono: A Documentary Short filmed with the Canon EOS C300 Mark II
Trick Shot – An EOS C300 Mark II Feature Film
Lens Strategies for the era of 4K UHD Digital Motion Imaging
What Constitutes a High Performance 4K Lens?
Personality of the Canon Cinema EOS Lens: Design Strategies
Personality of the Canon Cinema EOS Lens: Image Sharpness
Personality of the Canon Cinema EOS Lens: Colour Reproduction
Cinema EOS Sessions | CODECS
Cinema EOS Sessions | LOG & LUTs
Cinema EOS Sessions | Chroma Subsampling
Personality of the Canon Cinema EOS Lens: Contrast
Cinema EOS On-Set HDR/WCG Ecosystem
Image Performance Enhancements in the EOS C300 Mark II
Extended Recording Capabilities in the EOS C300 Mark II
Stay Sharp: Automatically Controlling focus in the EOS C300 Mark II
EOS C300 Mark II Looking Forward: Wide Colour Spaces
EOS C300 Mark II Independently Tested for the EBU
Walking Tour with the EOS C300 Mark II
EOS C300 Mark II Quick Start for Post Production
EOS C300 Mark II Documentary Quick Start
EOS C300 Mark II Best Practices Guide
Ergonomic and Operational Enhancements to the EOS C300 Mark II
